Thursday, March 28, 2024
 
Click HERE to sign up to receive Eye On Sun Valley's Daily News Email
 
Mason Bates Marries Sound of Icebergs Calving with Orchestral Melodies
Loading
   
Monday, March 25, 2019
 

STORY AND PHOTO BY KAREN BOSSICK

If Mason Bates were a bee, he’d be busy at the business of cross-pollinating.

Bates, who will have a residency with the Sun Valley Summer Symphony this summer, has one ear firmly turned toward classical music and the other tuned into the electronica beat of dance clubs where he often works as DJ.

But Bates sees no reason that classical and electronic music can’t be married. And that’s how he’s come up with such works as “Liquid Interface,” which uses actual sounds of icebergs calving.

Bates will perform that with the Sun Valley Summer Symphony during its 2019 performance season in Sun Valley. And he and the symphony’s Music Director Alasdair Neale offered a sneak peek during an Upbeat with Alasdair lecture held this past week at Ketchum’s Community Library.

Neale called Bates one of the most distinguished composers of the times at the young age of 42.

“He’s redefined what a 21st century orchestra can do with his electronica sound,” he said.

Bates recounted growing up a choir boy in Virginia—something that served him well when it came to writing for voice. Early on he was bitten by the composing bug, making up songs to the detriment of practicing piano.

Finally, his music teacher convinced him he needed to be skilled on at least one instrument to be an accomplished composer.

He came to classical music backwards, he said, becoming enamored with more modern composers like Gershwin, Bartok and Copland before becoming turned onto Beethoven and Mozart.

“They seemed a little distant at first,” he said.

He was commissioned to write a piece as a high school sophomore and his career was set.

It was when he headed to New York City to study at Julliard that he discovered electronic music at dance clubs and all-night raves. He began tripping out on the big techno beats, drums and bass, trip hop, downtempo and jungle sounds as he learned to turn and twist the knobs and turntables as a deejay.

And he further honed his familiarity with the alternate sound as he moved to the West Coast where he got a PhD at UC Berkeley.

At first, he kept his classical music palette separated from his electronic music life. Then he began blending the two.

He composed an energy symphony called “Alternative Energy” for the Chicago Symphony and a water symphony called “Liquid Interface” for the National Symphony Orchestra that premiered at Carnegie Hall.

He composed “Mothership,” a mix of acoustic and electronic elements that was performed by the London Symphony Orchestra.

He won a Grammy for the (R)evolution of Steve Jobs, an electronic opera performed by the Santa Fe Opera. And he was named Composer of the Year for 2018 by Musical America, the oldest American magazine on classical music.

In between those compositions, he became the first composer-in-residence at the Kennedy Center for the Performing Arts.

Neale and Bates played excerpts from “Liquid Interface,” during which Bates performs on an electronic drum pad and laptop.

The first movement features an ominous recording of glaciers crashing into the Antarctic Ocean layered on top of symphonic music. A haunting medley of strings follows, accelerating to lively drum and bass rhythms.

In each movement the temperatures rise as listeners feel the evaporation and hear the glaciers calving. One movement focuses on Crescent City, a focal point for tsunamis in California. This movement examines the destructive force as water grows, giving a nod to New Orleans, which has had its own water troubles, with a touch of Dixieland jazz swing.

The Crescent City part is “unbelievably virtuosic and fast,” said Neale.

As the thaw continues, blocks continue to crash as beats go from a slow trip-hop to an energetic bass. Droplets splash in the form of light electronic beats

Neale noted that electronic music is a natural extension of things like the wind machine used by Richard Wagner.

And, Bates pointed out, Pink Floyd promoted the use of electronic sounds in “Dark Side of the Moon.” And even the Beatles introduced some electronica to the world with the synthesizer and moog.

“At the end of the day, I just want it to be a robust work,” he said.

COMING ATTRACTIONS:

In addition to “Liquid Interface,” Mason Bates will perform “Passage,” which incorporates excerpts from JFK’s moonshot speech, with the Sun Valley Summer Symphony this summer. He also will perform “Devil’s Radio,” which he composed five years ago to mark the Sun Valley Summer Symphony’s 30th anniversary.

The symphony season runs July 29 through Aug. 22.

~  Today's Topics ~


Lou Whittaker Leaves Behind a Legacy of Mountaineering and Storytelling

Free Range Poetry Society to Hold Second Gathering Tonight

Easter Bunny to Begin Hopping Friday
 
 

 

 

 

 

 

 

 

 
Website problems? Contact:
Michael Hobbs
General Manager /Webmaster
Mike@EyeOnSunValley.com
 
Got a story? Contact:
Karen Bossick
Editor in Chief
(208) 578-2111
Karen@EyeOnSunValley.com
 
 
Advertising /Marketing /Public Relations
Leisa Hollister
Chief Marketing Officer
(208) 450-9993
leisahollister@gmail.com
 
Brandi Huizar
Account Executive
(208) 329-2050
brandi@eyeonsunvalley.com
 
 
ABOUT US
EyeOnSunValley.com is the largest online daily news media service in The Wood River Valley, publishing 7 days a week. Our website publication features current news articles, feature stories, local sports articles and video content articles. The Eye On Sun Valley Show is a weekly primetime television show focusing on highlighted news stories of the week airing Monday-Sunday, COX Channel 13. See our interactive Kiosks around town throughout the Wood River Valley!
 
info@eyeonsunvalley.com      Press Releases only
 
P: 208.720.8212
P.O. Box 1453 Ketchum, ID  83340
LOGIN

© Copyright 2023 Eye on Sun Valley